5 STARS
I literally just finished Citizen Hollywood, the third in Martin Turnbull’s “The Garden of Allah” novels. Once again he has delivered. Gwendolyn, Katherine and Marcus are so well developed that you feel like they are old friends. The way Martin brings old Hollywood to life is a joy and I find myself wishing I had been a part of it. Since reading the trilogy, I can’t watch an old movie with Orson Wells, Tallulah Bankhead, Errol Flynn, Humprey Bogart, et al, without thinking about the residents of The Garden and wondering how Gwendolyn, Katherine and Marcus would feel about how their movies have stood the test of time and what Hollywood has become over the years… Please tell me there is a fourth book on the way.
5 STARS
Having read the other two already (and out of order), I bought the 3rd one last Friday night and finished it Saturday night. I literally stopped for bio breaks and food….that’s it. I love the characters with all their flaws – they seem real – and the period seems spot on. I moved to Los Angeles in 1986 and love all the history. Very familiar with the area where the Garden of Allah used to be. I’ve already emailed the author to see when the next book is coming out. Hope you enjoy the series as much as I do.
5 STARS
I’m completely hooked on this series. The characters are completely affable and I love the plot. It’s the kind of book that you don’t want to end because it’s so enjoyable, yet you compulsively keep turning the page thus ending the journey too early. I look forward to reading more. Mr. Turnbull is a master at cliffhangers, breathes vivid life into long gone celebrities in a manner that allows one to live vicariously through the story’s hero and heroines. This is a great and fascinating period in entertainment history and is thoroughly a worthwhile read. Have fun!
From the publisher’s description:
Hollywood, 1939: When Tinseltown begins to woo wunderkind Orson Welles, he stashes himself at the Chateau Marmont until he’s ready to make his splashy entrance. But gossip columnist Kathryn Massey knows he’s there.
Kathryn has been on the outs with Hollywood since her ill-fated move to Life magazine, but now that she’s back at the Hollywood Reporter, she’s desperate to find the Next Big Thing. Scooping Welles’ secret retreat would put her back on the map, but by the time she hears rumors about his dangerous new movie, she’s fallen prey to his charms. She needs to repair her reputation, find out if Welles will take on the tycoon, and extricate herself from an affair with a man whose kisses make her melt like milk chocolate.
Hollywood writers are only as good as their last screen credit, but Marcus Adler is still scrambling for his first. His Strange Cargo will star Clark Gable after Gone with the Wind wraps, but Machiavellian studio politics mean Marcus’ name might not make it to the screen. It’s time to play No More Mr. Nice Guy. Opportunity knocks when his boss challenges the writing department to outdo The Adventures of Robin Hood, and Marcus is confident—until the love of his life bursts back onto the scene. How can he write another word until he knows for once and for all whether he and Ramon Navarro will be together? And to make matters worse, it seems like someone in town is trying to sabotage him
Everyone knows if you haven’t made it in Hollywood by the time you’re thirty, it’s curtains . . . and Gwendolyn Brick is starting to panic. She’s considering moving to a naval base in the Philippines with her baby brother, but she wants to give Hollywood one last go before she gives up. When she saves Twentieth Century Fox honcho Daryl F. Zanuck from an appalling fate at a poker game that goes awry, he rewards her with a chance at a role in a major movie. Gwendolyn needs to win before her ship sets sail.
When William Randolph Hearst realizes Citizen Kane is based on him, he won’t be happy—and when Hearst isn’t happy, nobody’s safe. Marcus, Kathryn, and Gwendolyn need to go for broke, and the clock is ticking.
Citizen Hollywood is the third in Martin Turnbull’s series of historical novels set during Hollywood’s golden age.
Martin Turnbull is a co-founder of the Alla Nazimova Society. 
“Famous Film Folk: A Gallery Of Life Portraits And Biographies” by Charles Donald Fox was originally published in 1925, and then reissued in 2012.
It contains an entry on Alla Nazimova. 
From the publisher’s book description:
Whether in or out of the closet, gays and lesbians played an essential role in shaping studio-era Hollywood. Gay actors (J. Warren Kerrigan, Marlene Dietrich, Rock Hudson), gay directors (George Cukor, James Whale, Dorothy Arzner), and gay set and costume designers (Adrian, Travis Banton, George James Hopkins) have been among the most influential individuals in Hollywood history and literally created the Hollywood mystique. This landmark study-based on seven years of exacting research and including unpublished memoirs, personal correspondence, oral histories, and scrapbooks-explores the experience of Hollywood’s gays in the context of their times. Ranging from Hollywood’s working conditions to the rowdy character of Los Angeles’s gay underground, William J. Mann brings long overdue attention to every aspect of this powerful creative force.
From the publisher’s book description:
THE GIRLS lifts the veil on the private lives of early Hollywood’s most powerful and uninhibited goddesses…The most unforgettable and immortal women of Hollywood’s golden era thrilled to a hidden world of exciting secrets. In THE GIRLS, Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich and the women who loved them. Previously unseen FBI files, private correspondence and a trove of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York through the heights of chic society to embed itself in the power structure of the movie business.
From the publisher’s book description:
Between 1917 and 1941, Hollywood studios, gossip columnists and novelists featured an unprecedented number of homosexuals, cross-dressers, and adulterers in their depictions of the glamorous Hollywood lifestyle. Actress Greta Garbo defined herself as the ultimate serial bachelorette. Screenwriter Mercedes De Acosta engaged in numerous lesbian relationships with the Hollywood elite. And countless homosexual designers brazenly picked up men in the hottest Hollywood nightclubs. Hollywood’s image grew as a place of sexual abandon. This book demonstrates how studios and the media used images of these sexually adventurous characters to promote the industry and appeal to the prurient interests of their audiences. Illustrations, notes, bibliography and index.
From the publisher’s book description:
The First Female Stars: Women of the Silent Era rediscovers the fascinating lives and pioneering achievements of 15 women who dared to venture into early motion pictures, an industry dominated by men, and who not only succeeded but became the focal points of the industry. Each star earned a position at the height of her profession, and though many are largely forgotten today, made a lasting and significant contribution to early cinema. In this entertaining and informative volume, author David Menefee reveals these women and their signature roles, drawing on many original sources to show us how such actresses as Theda Bara, Sarah Bernhardt, Dorothy Gish, and Norma Talmadge were received in their time, and the many ways in which their influence remains important today.
Reviews for The Trouble with Scarlett, by Martin Turnbull:
As a fan of The Garden on Sunset, it was a joy to join again in the endearing story of the three Hollywood ascendants: Marcus, Kathryn, and Gwendolyn. Through an adept combination of skillful character development and evocative settings, Martin Turnbull has, in the second novel in a promised series, become even more of a solid and resonant storyteller. In The Trouble with Scarlett, Turnbull’s characters have become (as real people do over time) more stable and clearly defined, and what might have deteriorated to an expected “gimmick” of involving his fictional characters with real people in historic events has instead become even more seamless, what might have been a clumsy technical contrivance is now an organic and properly rhythmic narrative voice.
Reviews for The Garden on Sunset, by Martin Turnbull:
Like Nathanael West’s The Day of the Locust, Martin Turnbull’s Garden on Sunset is steeped in Hollywood decadence–yet not so jaundiced and infinitely more fun. It grabs you by the throat and plops you smack down in the middle of Tinseltown during Prohibition, scraping elbows along the way with a constellation of stars, from Tallulah Bankhead to Greta Garbo. It’s one helluva kick-off for a promised series of page-turners. Count me in.” — Sam Irvin, author of Kay Thompson: From Funny Face to Eloise
“What a fun glimpse into old Hollywood and the fabulous Garden of Allah Hotel with its fascinating tenants. The three main characters, Marcus, Kathryn and Gwendolyn mix it up with such legendary names as Ramon Novarro, Tallulah Bankhead and George Cukor–not to mention the exotic Nazimova herself. Made me wish I was there!” — Debra Ann Pawlak, author of Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy
From the New York Times review of Nazimova published not long after the book was released in 1997:
How in four years she went from being an unknown actress who spoke no English to an American star for whom the Shuberts named a theater is an amazing tale, and Gavin Lambert, in ”Nazimova,” a gracefully written, highly entertaining, surprisingly poignant biography, makes the most of it. The author of a biography of Norma Shearer (among many other works of fact and fiction set in Hollywood), Mr. Lambert charts Nazimova’s up-and-down career and squishy private life. Having jettisoned a casually acquired Russian husband when she emigrated, she lived for many years with a British actor, Charles Bryant, who piggybacked on her acting successes and soaked her for money but otherwise appears to have performed few husbandly functions. Still, he was publicly identified as her husband, and when he left her for another woman the truth emerged that she had lived with him out of wedlock, causing something of a scandal. She survived it. The secret she felt most compelled to guard was that most of her romances were with women, one of whom, Glesca Marshall, shared her final years, from 1929 to 1945. (Among the more incredible facts of this stranger-than-fiction story: Nazimova was Nancy Reagan’s godmother.)
